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Donovan King
Donovan King is a performance activist and experimental theatre artist from Montreal, Canada who juggles acting, teaching, directing, dramaturgy, and theory,〔(【引用サイトリンク】title=Donovan King bio at Theatrummundi )〕 and is a columnist for ''Indie Theatre Times and Review''.〔(【引用サイトリンク】title=Donovan King )〕
==Background==
King holds a Masters of Fine Arts degree in Theatre Studies from the University of Calgary, a Bachelor of Fine Arts in Drama in Education from Concordia University, a Bachelor of Education from McGill University and a Diplome d’Études Collegiales in Acting from John Abbott College.〔 He is the author of ''Optative Theatre: A Critical Theory'', and he facilitates various activist campaigns and drama classes in Montreal.〔 〕 He has been known to collaborate with other theatre activists internationally such as Augusto Boal, Andrew Boyd of the Billionaires for Bush, Reverend Billy (aka Bill Talen), Stephen Duncombe, Larry Bogad, Kathryn Blume, Kurt Schneiderman, Jason C. McLean, Gary St. Laurent, and many others.〔
As the co-founder of the Optative Theatrical Laboratories (OTL) and creator of the international Infringement Festival, King strives to revitalise theatre as an agent for social change through experimental practice, critical theory, and sustained performance.〔 The OTL designs interconnected theatrical campaigns such as ''Car Stories'',〔 〕 that target instances of oppression, and employs a diversity of cutting-edge activist performance techniques: culture-jamming, Viral Theatre, Sousveillance Theatre, meme-warfare, Electronic Disturbance Theater, and Global Invisible Theatre, to name a few.〔
King recently took issue with racism inherent in what has been called “Canada’s First Play” – the 1606 ''The Theatre of Neptune'' (''Le Théâtre de Neptune'') by Marc Lescarbot,〔 and staged a counter-performance called “Sinking Neptune” in Annapolis Royal on the day of the “400th Theatre Anniversary” (November 14, 2006), in order to protest the original.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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